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However, upon his arrival, he learns that his master has died under suspicious circumstances.
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In the beginning of the 20th century, Chen Zhen returns to Shanghai to marry his fiancé. However, where the film truly excels is in the technical department, with freeze frames, jump cuts, multiple overlays, and other techniques that added to the exquisite style of the movie. However, she detached it from the 60s by placing it in the setting of the Qing Dynasty, thus creating a metaphor. Unfortunately for her, her daughter has also feelings for the captain, making her already suppressed desire a terrible burden.Ĭecile Tang directed a romantic drama regarding the role of the woman in the modern society, and particularly what is expected of them. However, she is being tormented by feelings for a cavalry captain who temporarily stays in her residence, with the feelings being mutual. Set in the Qing dynasty, the film tells the story of Madame Tung, a beautiful woman who is so virtuous that the emperor has decided to honor her by allowing her fellow townspeople to build an arch to commemorate her. Cecile Tang) has reached a legendary status in the last decades, because it was shot by one of the very few women filmmakers of the time, because it was photographed in black and white in contrast to the almost motley-colored films of the time, and for implementing a number of unique editing techniques. Furthermore, the action scenes had an unprecedented quality for the time, while Chang even managed to incorporate some social issues in this classic masterpiece.
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Fortunately for him, a girl named Hsiao Man, who even owns a manual for a secret one-armed technique, rescues him.Ĭheng Chang’s biggest achievement in this film is that he managed to make Jimmy Wang, a mediocre fighter, appear as a great martial artist through a number of clever cinematic tricks and stunts.
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Their attitude eventually drives him from the school but they do not stop there, ambushing him and even managing to cut off his arm with cunning viciousness. Nevertheless, he is also the object of jealousy among his colleagues for his lowly origins and for his prowess. The boy grows up and becomes an excellent fighter. In order to honor his sacrifice, Master Qi Ru Feng takes his son, Fang Gang, as a student, in a very unusual gesture for the era.
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Lastly, his impact was so immense that it spawned two sequels, a remake, a crossover with the respective Japanese hero Zatoichi, and innumerable imitations.Ī rival clan attacks the Golden Sword School and the one who manages to save the master is a servant who ends up mortally wounded. Furthermore, it was the first film to reach the mark of HK $1 million at the local box office and made a star out of its protagonist, Jimmy Wang. One of the most iconic characters of the action genre, “One-Armed Swordsman” was also a turning point for the industry, introducing the concept of the anti-hero and being one of the first films to entail intense swordplay scenes and heavy bloodletting. Here is a list with 30 distinct examples of Hong Kong cinema that cover all of the aforementioned timelines and categories in chronological order.ġ. Lastly, an important category that flourished through all these years, particularly due to cult audiences, is the one consisting of Cat III films, which entailed exploitation productions centering on sex, violence, and sadism. At the same time, filmmakers like Ann Hui and Wong Kar Wai created the Hong Kong New Wave, which produced more “artistic” films that dealt with social, economical and political subjects and included actors like Maggie Cheung and Tony Leung.ĭespite the crisis that occurred in the mid-90s and continuing into the 00s, Hong Kong cinema continued to present successful companies (Milkyway Image), filmmakers (Johnnie To, Andrew Lau ,Wai Ka Fai) and actors (Andy Law, Donnie Yen) that had a worldwide impact. The seeds planted in the 70s resulted in a boom in the industry in the 80s and early 90s, headed by companies as Cinema City, filmmakers as Tsui Hatk, Wong Jing and John Woo, and actors as Chow Yun Fat, Brigitte Lin and Jet Li, who made the action genre the dominant style and subsequently, Hong Kong cinema, a global phenomenon. Hong Kong cinema has been a dominant force in the world of movies since the 70s, and one of the first to transcend the boundaries of Asia, due to production companies like Shaw Brothers and Golden Harvest, which paved the way for international stars like Jackie Chan and Bruce Lee.